Bruce Dawe Essay

Bruce Dawe, an Australian known poet, innate(p) 1930 is still iodine of the biggest selling and most highly regarded poets of Australia. His ability to write such potent poetrys has made an impact on a turn of events of people, as individually poem hind end be related to the ordinary living lives of Australians end-to-end the years. Bruce Dawes poems ar fire beca role they com custodyt on the lives of ordinary people. This account is agreed on.In relation to the statement, three key poems can be standoffed organism Enter Without So unt oldish as belt (1959), Homo Suburbiensis (1964) and Drifters (1968). In the first poem menti matchlessd Enter Without So Much as Knocking, Dawe grounds the living of a s expectr in the Baby Boomers period, and the season after World War 2 (1950s to early 60s). The government had yet released an election promise for any mother who be atomic number 18d a child to receive a money bonus in sound reflection for adding to Australias populat ion.With approximately 3 babies per family on average during this period period, Dawe represents children born in that time period as if cosmos born publicu featureuring, because Bruce Dawes poems are takeing because they comment on the lives of ordinary people. The numbers Enter Without So Much as Knocking uses soldieryy poetic and literary proficiencys. These embarrass imaginativeness, similes, themes of sexism and stereotypes and rhetorical question. Dawe utilises the whole poem as imagery for the sons life.Dawes creative sense made it so the earreach who would read this poem would see that his life was a plot of ground interpret even in death. This subject can be order when Dawe explores death in his sixth stanza. gave him backward for keeps/ the old automatic grimace with nothing behind it, winding the whole show up with a/ nice ride out to the underground metropolis/ permanent residentials, no parking tickets, no taximeters/ ticking, no Bobby Dazzlers here, n o down payments,/ nobody sorrow over halitosis/ flat feet shrinking gums falling hair. In this example, Dawes use of imagery immediately conveys to his earreach the type of life this man led. He likewise utilize black humour, development death as an chip from the life he led and still gaining prizes. The next technique used is Simile. Throughout the poem, Dawe represents the child as nothing more than just other person. No significance. No crucial part to his existence. Yet, in the fourth stanza, Dawe last shows some notion of a positive emotion. The first ever bearing at happiness and precisely trance throughout the poem.In the stanza, the boy describes his liking for watching movies under a star lit sky, stating a pure unadulterated fringe of sky, littered with stars/ no one had got around to fixing up yet hed watch them/ circling around in luminous groups like kids at the circus The effect of using this technique punctuates the fact of something so pure, an actual ha ppy emotion lively in this world, that seems to be so practical and sought out. To the audition it would show that Dawe is trying to create a hope that just maybe the boy impart escape this game show fate and live to down the freedom he wishes.The comment of his life in addition illustrates Dawes interesting view on life and ordinary people, as he represents the judgement of being barred from freedom. It also shows how society cannot corrupt the stars as they are too far away. Themes are also used throughout the poem. In the 1950s to early 60s women were still trying to make up for themselves. After the Second World War and during the bollocks boomers period, in stanza twain of the poem Dawe comments on this type of living stating his embarrassd/ one economy-sized Mum, one Anthony Squires Dad, along with two other kids straight off the Junior surgical incision rack. This technique clearly represents the stereotypical, sexist views of the time period. Women were still seen as just house-wife material, men were expected to make a living for their family and the average for the number of children per household was three. Anthony Squires as stated was a known Australian crisscross Mens suite. Dawe shows the audience in this quote the type of families seen during the 1950s, as if manufactured or mass produced. Like a template. Every family had to live one of these. Families during this time did not bond or grow up together, but had been brought and constructed.Another example of sexism can be put in stanza five, as Dawe says, and then it was goodbye stars and the soft/ cry in the time out when no one was looking This shows the audience that in this society, during this time period, men were also stereotyped as they were not allowed to cry. They DO NOT cry. The closing technique used in Enter Without So Much as Knocking is rhetorical question. though only used once, it brings the whole poem together, causing Dawes audience to have a sudden epiphany. During stanza five, the child is undergoing what seems to be some other part of his life.Here we see his growing up, look goodbye to depravation as the audience reads his corruption as he gives up fighting. The closing lines hit the audience with a sense of acknowledgement being I mean its a real battle all the way/ and a man cant dish up but feel a little soiled, himself,/ at times, you know what I mean? This conveys to the audience what an awful, corruptive world the world has become, and in redeem man himself has become soiled. Man has been blinded by his own corruption and formed his own stereotypes, and there is no way to return back to the way things were.This is a vital view baksheesh and comment on the lives of people during this time period, as Dawe gives a descriptive insight on the matter. Moving onto the second poem Homo Suburbiensis, another poem that signifies Dawes interest of people and their lives. Written in 1964, in the midst of the ending of the baby b oomers period and a time of peace as women start finally getting their rights comprehend and the Australian government take a saucy leadership, this poem scripted by Dawe is a representation of an old mans mind. The world he lives in is chaotic when wild, yet when in peace is of surpassing beauty like a hearty-kept garden.The mans thoughts are shown by the garden. Homo Suburbiensis is also referred to as the late day Garden of Eden. Another side note worth mentioning is the fact that the title is a parody of scientific classification, as if stating that the garden is also an experiment on the observations of men overtime. Techniques used in this poem include alliteration, symbolism and onomatopoeia. The first two techniques explored are alliteration and symbolism. The way Dawe has written this poem is vital to his audience, as the lines represent the continuation of life, crucially emphasising this point entirely.The alliteration is then used in the third/fourth stanza stating He stands there, lost in a green/ confusion, smelling the smoke of souls rubbish. The alliteration technique shows the straight, ominous feeling. Almost repetitive, as Dawe gets his audience to relate to the sense of repetition. Also, back in this time period, rubbish was only collected once a week. Households would set their wastes alight and pour in the ashes weekly. This gives Dawes audience a good insight into the 1960s and their views on contamination and rubbish.The symbolism technique, however, links back to the previous comment of the poem being a modern appropriation of the Garden of Eden as the nonstop s words would symbolise a snake. Dawe creates a sense of an living creature that affrightens the peace unless harmed to his audience. An underlying danger ,which, at any given piece could strike and end all peace in a wiz bite. It also emphasises the fact that Dawe is trying to relate modern man to this threat compared to the original Garden of Eden to show his audi ence just how well it is to upset a balance of peace unless treaded on lightly.The final technique used is Onomatopoeia. During this stanza, Dawe has the old man retell what his senses pick up, letting the audience be introduced to both hearing and sight. This being a kid/ a far whisper of traffic, and offering up instead. This technique is used to emphasise Dawes involvement of human senses as well as depicting the old man and his interest in the world also linking back to the previous statement of having Homo Suburbiensis as a possible scientific view on man.These sounds are the only thing that can be heard in his garden, and like the snake, intrude and make Dawes audience realize that they are still being compared to the Garden of Eden to their modern world. The old man, also, can be seen to be lost in thought as he only vaguely hears some sounds. This techniques use in return also shows Dawes interest in modern life compared to the genesis of the bible and his link to his fa ith and the Garden of Eden. It shows his audience, again, the problem of corruption and what it has strikee to man.The third and final poem is 1968s Drifters. Written describing Dawes own childhood, the poem represents yet another key concept in the viewing of ordinary lives in this time period. Drifters is about a family (representing Dawes own family) who moved from place to place, as the bring forth needs to move by season due to the demand from his job. Though it is seen to be written in a casual manner, if read carefully, Dawes audience would see the seriousness behind it. Techniques used throughout the poem include juxtaposition and dialogue. The first technique used is juxtaposition.Family members often have to compromise or sacrifice what they want in order to belong to their family. more or less members, however, wish to establish a permanent sense of place and others dont. The use of juxtaposition is then shown to the audience as the differing perceptions of moving are based on how long they stayed in one place. The oldest girl is on the verge of tears and the youngest is beaming. Another example of this is found in the mothers acceptance of her families drifter lifestyle through by stating bottling-set/ she never unpacked from Grovedale. Again Dawe and his view point, even when personal, is both interesting and aline to the time period when written as it gives his audience an understanding of both the emotion and sacrifice caught in the constant knowing of impermanence.The second and final technique used is dialogue. Repetitive dialogue was used constantly throughout the poem. A lack of permanent place, as mentioned before, is just a continuous spontaneous lifestyle. A feeling that anything could happen. An example of this can be found when she simply says Make a wish Tom, make a wish. The charitable of lifestyle led and the emotions that come with it like excitement, when announcing that yet again they will be moving on is shown through the unusual endings of particular lines, for example tripping/ everyone up. And she was/ happy here. The position of line placement represents their emotions as well as the continuity of their lives and the way they live yet again. Dawe and his visual on life tells his audience of his own memories and the hardship he may have faced due to his family being so spontaneous, as well as any other child who went through the same thing as he during this time frame.In conclusion, all three poems used being Enter Without So Much as Knocking (1959), Homo Suburbiensis (1964) and Drifters (1968) show that Bruce Dawes poem are indeed interesting because they comment on the lives of ordinary people. This is shown throughout each of the three poems using various nomenclature techniques and personal insight, making his audience see that Dawe truly was and still is a unique Australian writer.